Showing posts with label acousitic guitar. Show all posts
Showing posts with label acousitic guitar. Show all posts

Thursday, November 24, 2011

Magnets and Ghosts review


Written by Donna Mair
Magnets and Ghosts - Mass

Mass, is the inaugural release from Magnets and Ghosts; a collaboration between Collective Soul guitarist and founding member Dean Roland, and musician/producer Ryan Potesta. Where the die hard Collective Soul fans would love to have more CS tunes, this 11 track full cd is nothing like Collective Soul! And for me that’s a wonderful thing.

From opening instrumental track “Reveillon” with its grand sweeping cathedral like notes and great booming drum beats to the closing track “Zealot” (which is sad and deep and heavy without being maudlin), this album is chock full of well written lyrics and well performed instrumentation.

“Light My Flame”, the second track in is electricity going down your spine. The lead vocals are slightly distorted over the heavy constant groove of the same guitar chord over and over into the chorus. The bridge kicks it up a notch with female voice (Christina Starr Wherry) punctuated by a guitar solo that enhances rather than grabbing all the attention.

“Hearts of Everyone” has the band singing a boppy tune that is instantly likeable. Listen to the lyrics closer and it’s not just fluff which is what I love about this entire album. Piano notes bring subtle texture to the song and keep it from being too overtly Pop. One of my favorite spots in this song is the drum solo mid stream by Ryan Hoyle and a guitar solo which doesn’t sound like a guitar.

“Mass” is the title track and is reminiscent of a Gregorian chant but again the lyrics are intriguing in this too short song.

“Hold On” gripped me by the throat from the first listen and hasn’t let go yet. The lead vocal is melodic and dreamy, as is the instrumentation, and the backing vocals in a much deeper pitch add a multidimensional feel to this floating quality. Despite this effervescence, the song is a thinker if you scratch below the surface. There is vulnerability here in the lyrics... one feels that they’re very personal.

“The Sea and the Sound is another catchy tune that will hook you on first listen (no pun intended). Hard to tell who is singing main vocals, but a lone voice ends the song with an accapella of final lyrics in a very raw unpolished voice which just ‘makes’ the song in my opinion.

Gang vocals and hand clapping start “I Want You” on a strong and interesting note and the song keeps building from there. Snappy lyrics and a definite drum and bass groove lend to me wanting to get up and move to the music while singing. I love how this song ends with a squalling guitar note.

“Like a Sunday” is another lighter sounding song similar to “Hearts of Everyone” in that it might be a more radio friendly ‘single’ type of song, but the lyrics are introspective and questioning. There is a definite spiritual quality to this song – perhaps why it’s titled “Like a Sunday”?

“Morning Rails” is perhaps the darkest song on the album. The lead voice is deep and monotone to punctuate brooding lyrics. Get to the bridge however, and the guitar work is reminiscent of U2’s The Edge in Achtung Baby – hard hitting, frantic pace, and flawless. Hoyle’s drums are forefront and center and the mix is balanced to perfection.

“Half Awake” brings thoughts of lying on a bench in a train station waiting, waiting, and dozing off into that not quite asleep state (hence aptly named). Disembodied vocals have an ethereal quality to lend to the dream like state.

Building on that half awake state is the closer, “Zealot”. Listen to the lyrics though, and it’s a sad tale of addiction and yearning/searching. It’s one of my favorite tracks off the album.

This album is a unique, delightful discovery for me. The duo (Potesta and Roland) have worn their hearts on their sleeves and because of that risk taking and vulnerability, have come up with a fantastic debut album. They also did not over produce the album – they let little imperfections and realisms stay on the tracks and that adds to the feeling of realism. The duo wrote, produced and performed nearly every piece of the album themselves (except for bass, trumpet, strings and drums). Zealot was co-written by Shaun Grove who also co-engineered the album with Potesta.

Read more: CD Review: Magnets and Ghosts - Mass | RockStar Weekly http://www.rockstarweekly.com/cd-review-magnets-and-ghosts-mass.html#ixzz1eaq8X6nW

Monday, November 14, 2011

Laurence Juber Q & A


Grammy-Award winning guitar artist Laurence Juber will make a pair of intimate Southern California appearances this month. Juber will play at 8 p.m. Friday, Nov. 18, 2011, at McCabes Guitar Store, 3101 Pico Blvd., Santa Monica and 8 p.m. Saturday, Nov. 19, 2011, at The Fret House, 309 N. Citrus, Covina.

Often considered most famous for playing lead guitar in Wings from 1978 to 1981, Juber, known as ‘LJ’, has since had a distinguished career as a solo finger-style guitarist.


LJ graciously granted me an interview over the phone from Los Angeles to promote his two SoCal appearances.

Q: Do you enjoy playing in your own backyard?

LJ: I spend much of my time performing outside of Southern California, so it’s a pleasure to do what I consider ‘hometown shows’ in very intimate and close-up acoustic venues.

Q: In between shows, you also do guitar workshops. What are those like?

LJ: They’re definitely more on the technical end of the spectrum of what I do. It’s usually a group lesson between eight and 20 people, showing them tips, tricks and ways to improve their playing. I also explain my process for arranging and playing the solo acoustic guitar, how to get sound, resonance and character from the instrument. I pass on my knowledge and experience on how to create a solid musical experience.

Q: You've played at McCabes and The Fret House before. What are those two venues like?

McCabes is a historic place, which opened in 1958. It's also one of the best acoustic venues in the Los Angeles area and it's a delight to play there. It's a guitar shop and venue. At night they clear out the racks of guitars and put out chairs and it holds about 150 people. It's just a great gig. The list of musicians that have played there and hung out in the store is amazing - Ry Cooder, Bonnie Rait, Jackson Browne, Hoyt Axton, Jeff Buckley, Gene Clark, John Densmore, Steve Earle, Vince Gill, Roger McGuinn, Mick Taylor - all the greats. I'm working on some new arrangements and whenever I play there I always throw in something new into the repertoire.

The Fret House is an annual show I do and this will be my 20th performance there. I've playing there since 1991 right after my first album, Solo Flight, came out. It's a guitar store but they have a separate performance space and it's a very intimate acoustic venue. I've always enjoyed playing there.

Q: At your concerts, you play all styles of music, including a nice sampling of the Beatles. Why are their songs so magical?

LJ: (laughs) Every time I hear a Beatles record I gain a new appreciation. Above and beyond the analytical part of it and creating the arrangements, when I start deconstructing Beatles songs, I find unexpected things. I can never listen to a Beatles record twice and hear exactly the same thing. There’s always something that I’ve missed, or a new discovery where you say, “Wow, what was that little guitar lick?” Or the way in which the backing vocals come in…there’s always something new to discover in their work.

For more information visit www.laurencejuber.com

What: Laurence Juber 
Where: McCabes Guitar Shop, 3101 Pico Blvd., Santa Monica 
When: Friday, Nov 18, 8 p.m.
Cost: $20 
Information: 310-828-4497 or http://www.mccabes.com 

What: Laurence Juber 
Where: The Fret House 309 N. Citrus, Covina
When: Saturday, Nov. 19, 8 p.m.
Cost: $20 
Information: 626-339-7020 or http://www.frethouse.com